Listen up retards. Do you happen to feel regret because you always think “ohhh if I yoloed my savings on TSLA/AMD/NVDA 🚀 leaps years ago I could be rich by now!!!” submitted by Audacimmus to wallstreetbets [link] [comments] Well if you didn't know already, it doesn’t really matter what happened in the past. Hindsight will always be 20/20. You shouldn’t be harsh on yourself on your past self that your past self wasn’t retarded enough to yolo their savings into AMD/TSLA/.... Your past self doesn’t have the same knowledge that your current self has. It’s fine. If you judged those stocks with the best DD you could do at the time and didn’t think they were worth it, then you did a good job. If you always think about what you could/should have done in the past, then you don't have the right attitude to play the stock market casino imho. The single most important thing is to be able to look ahead. There are always plenty of opportunities around. There are thousands of rockets that are still on earth right now. Some may depart this year, others will stay a little longer on earth. The true strength lies in being able to identify those rockets with the knowledge you have right now. And if you still miss most rockets that will take-off this year that's fine, maybe you'll learn, get better and you'll do better next year. Now, what if I told you there’s a big rocket that’s parked right right here on earth and it has decent chance for take-off this year? Maybe it won't quite reach the moon this year yet, but hey leaving the exosphere should already be a cool milestone. It has rock-solid fundamentals and will see lots of growth in the following years/decade. It’s a company that has the fundamental technology to power all the computer vision tech, which is bound to boom this decade. The company we’re talking about is of course Sony, and it is extremely undervalued right now. Its P/E is only 14. They have a P/S of 1.65, a PEG of 0.92 (< 2 is already somewhat exceptional for a company/conglomerate of Sony’s size, under 1 is a steal) Much lower than all of its same-sector peers. This indicates significant undervaluation. Next up Sony has a P/CF 13.2, ROE of 20% (S&P 500 average is 14% which would already be considered pretty good. 20% ROE is excellent), PEGY of 0.89, P/B of 2.65 and finally Sony has $41.6B in cash on hand. This makes Sony one of the cheapest tech/entertainment/EV/semiconductor growth stocks you will find on the market. (ROE of 20% + PEGY of 0.89 + PEG of 0.92 means this company is a growth stock based on the numbers alone, but we’ll dig into the actual company and overall outlook in a moment) I challenge all retards to find a company with similar benchmarks in one of the mentioned sectors, seriously. Quite frankly doing this DD honestly blew my mind. I kept looking everywhere for reasons why the company could be so undervalued and why they may struggle in the future. Very important to look at all the challenges the company faces to make sure I’m not just doing confirmation bias DD. But all I could find was the opposite. After several weeks and months of working on this DD, I can only conclude that it is overall a very solid company for a bargain price. The new CEO is taking the company in a great direction imho and I'm begin to think he could be Sony's Satya Nadella. So if you want some easy tendies, maybe consider $SNE while it is still cheap, I’d say. For the autists out there who care about analyst ratings, SONY ($SNE) currently has 18 BUY ratings, 2 OVERWEIGHT, 4 HOLD and 0 SELL. (= analyst consensus is a STRONG BUY). Very little analysts cover this stock compared to other entertainment/tech companies, so this adds to my assertion that the stock is very much under the radar. Which means you have time to get in before it gets noticed by the larger investing world and before it starts to get a more fair valuation (P/E of around 30 would be more fair for this company I think, but still cheaper than many same sector peers). But, anyway the few analysts who do happen to cover this company are basically all saying it’s an instant-buy at its current price. Most boomer investors still think big Japanese tech companies are dinosaurs that have long been surpassed by China, South Korea and Apple etc ages ago. Young boomers may think Sony = PlayStation and that it's it. But the truth is that PlayStation, while very important (about 24% of Sony's total revenue last year), is a part of a larger story. Lots of investors in general associate Sony with the passé Japanese electronics companies from the 80’s and the 90’s. Just like a lot people may think BlackBerry is a struggling phone company. While Sony may not be the powerhouse in consumer electronics it was in the 80’s and the 90’s, in a lot of ways they are more relevant than ever before. Despite being a well-known brand and being known as the company behind PlayStation, for some reason its stock still seems to be under the radar among both retail and institutional investors. And boy, are they mind-blowingly undervalued. Even if a big part of its business would collapse tomorrow, they would still be slightly undervalued. And I am about to tell you why. (& btw compared to Japanese tech/entertainment stocks $SNE is still super cheap (Canon, Nikon, Toshiba, Sharp, Panasonic, Square Enix, Capcom, Nintendo, Fujitsu all have P/E ratios ranging from 18 to 77 and none of them have the combination of global clout, fundamentals & growth prospects that Sony has)) 2021 Sony as a corparation is not the fucking Sony from 2005-2015’s, just like BlackBerry in 2021 is not the fucking Blackberry from 2012. Just like Garmin in 2021 is not Garmin from 2011. Just like AMD in 2021 is not AMD from 2012. No, in 2021, Sony is the global leader in imaging technology and people do not fucking realize it. Sony has 50% marketshare in the CMOS image sensor market. There’s a very good chance the smartphone in your pocket has Sony image sensors (unless it’s a Samsung phone). Sony image sensors are powering a big part of today's vision/camera technology. And they will power even more of tomorrow's computer vision tech. In 2021, Sony is a behemoth in video games, music, anime, movies and TV show production. Sony is present in every segment of entertainment. Sony’s entertainment branches have been doing great business over the past 5 years, especially music and PlayStation. Additionally, Sony Pictures has completely turned around. In 2021, Sony is the world’s biggest music publisher (and second biggest music company overall). Music streaming has been a boon for Sony Music and will continue to be. In 2021, Sony is among the biggest mobile gaming companies in the world (yes, you read that right). And it’s mainly thanks to one game (Fate/Grand Order) that nets them over $1B revenue each year. One of the biggest mobile gaming companies + arguably biggest gaming brand in the world (PlayStation). In 2021, Sony is an EV company. They surprised the world when they revealed their “Vision-S” at CES 2020. At the reception was fantastic. It is seriously one of the best looking EV’s. They already sell sensors to Toyota. Sony will most like sell the Vision-S's tech to other car manufacturers (sensors for driving assistence / autonomous driving, LiDAR tech, infotainment system). 40 sensors in the Sony Vision-S Considering the overwhelmingly good reception of the Vision-S so far, I suspect the Vision-S could be another catalyst that will put Sony as a company on the radar of investors and consumers. We've seen insane investment hype for anything even remotely related to EV over the past year. We've seen a company that barely had a few EV design concepts (oh wait, they had a gravity-powered truck though) even get a $30B market cap at some point lmao. But somehow a profitable company ($SNE) that has an EV that you can actually drive, doesn't even have a fair valuation? In 2020’s Sony’s brand value is at their highest point since 12 years. In 2021, it is projected to be a its highest point since 2001 assuming same growth as average yearly growth from 2015 to 2020. Keep in mind brand valuation is a bit bullshitty as there’s no standardization to compare brands from different sectors, let alone non-consumer-facing brands with consumer-facing brands. But one thing we can note is that Sony both as B2C brand and as a B2B company is on a big upwards trend. https://interbrand.com/best-global-brands/sony/ https://careers.uw.edu/blog/2020/03/17/these-are-the-10-biggest-video-game-companies-in-north-america-shared-article-from-zippia/ In 2021, Sony is an entertainment behemoth. They have grown their entertainment branches by a huge amount over the past 5 to 10 years (they made some big acquisitions in the music space especially and they’re now also all-in in anime). I don’t think people realize how big Sony is as an entertainment company. I dug up the numbers and as of Q3 2020, PlayStation is the second biggest video game company in the world (Tencent is #1) in revenue (I suspect Sony might dethrone Tencent after Sony’s FY Q3 2020 is released). But Sony already comes very close to Tencent especially if you add Fate/Grand Order (which is under Sony Music and not under PlayStation) under PlayStation. There’s no single other company that has this unique combination of a dominant/important position in all entertainment segments. (video games + music + movies + TV series + anime + TV networks). I guess Tencent maybe? In 2021, Sony has amazing momentum in the camera space. If you’re familiar with the enthusiast photography space, you should know this. Basically, the market is slowly shifting from SLR to mirrorless cameras. This is because mirrorless cameras tend to smallelighter, have faster AF, better low light performance, better battery life and better video performance. Sony is the company that has been specializing in the development for mirrorless cameras for over a decade while Canon’s bread and butter has always been SLR cameras. Sony is in the lead when it comes to mirrorless cameras and that’s where the market is shifting towards. Because the advantages of mirrorless have become more and more apparent and Sony’s cameras have become technically superior, Sony has gained quite a bit of market share over Canon and Nikon in the last few years. In 2019, Sony overtook Nikon as the #2 camera manufacturer. Sony is in an upwards trend here. (they have the ambition to become the world’s #1 camera brand) Sony also has very good marketing for their cameras. (Sony has a lot of YouTubers / influencers / brand ambassadors for their cameras despite being a smaller brand than Canon) (just search on YouTube and/or Google “switching to Sony from Canon” just to give you an idea that they do have amazing brand momentum in the camera space. You won’t get as many hits for the opposite) A huge portion of Sony’s profit comes from image sensors in addition to music and video games. This is in addition to their highly profitable financial holdings division & their more moderately profitable electronics division. Sony’s electronics division, unlike other Japanese brands, has shown great resilience against the very strong competition from China & South Korea. They have been able to maintain their position in the audio space and as of 2020 are still the global market leader in high-end TV’s (a position they have been holding for decades) and it seems they will continue to be able to maintain that. But seriously this company is dirt-cheap compared to any of its peers in any segment and there’s various huge growth prospects for Sony:
PS+ growth and software digital ratio growth
Sony Entertainment While Netflix, Disney, AT&T, Amazon, and Apple are waging the great streaming war, Sony has been quietly building its anime streaming empire over the past years.
Anime growth “The global size is expected to reach USD 36.26 billion by 2025, registering a CAGR of 8.8% over the forecast period, according to a study conducted by Grand View Research, Inc. Growing popularity and sales of Japanese anime content across the globe apart from Japan is driving the growth” (tl;dr anime 🚀🚀🚀🚀🚀, Sony is all in on anime and they have pretty much no competition) Anime is the fastest growing subsegment of movies/video entertainment worldwide.
Sony Music Entertainment Japan Aniplex
US video game market growth (worldwide growth has a 13% CAGR) PlayStation revenue and operating profit growth
But so far the tl;dr Image sensors: 🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀 IoT/Industry 4.0 chipsets: 🚀🚀🚀🚀🚀🚀🚀 PS5/PSN/PS+: 🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀 Online medical services (M3 inc.): 🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀 Anime: 🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀 Fate/Grand Order: 🚀🚀🚀🚀🚀 Demon Slayer: Mugen Train 🚀🚀🚀🚀🚀 Sony Music / music streaming (the performance of Sony Music’s in Sony’s business is seriously understated. The numbers speak for themselves): 🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀 Sony Electronics 🚀 Sony Financial Holdings (very stable & profitable business, even managed to grow slightly during pandemic when most insurance companies performed more poorly): 🚀🚀🚀 Still have to cover Sony Pictures, but their upcoming movie slate looks pretty good honestly (Spider-Man sequel, Venom: Let There Be Darkness, Ghostbusters: Afterlife, Uncharted, Morbius, Hotel Transylvania 4 so that's worth one rocket as well imho 🚀 tl;dr of tl;dr: 🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀 Disclaimer: I am not a financial advisor. I am an idiot that's trying to understand why $SNE stock is so cheap. Positions: SNE 105C 21st January 22 |
NYT: Mr. Trump turned to Mr. Giuliani earlier on Friday in reaction to the latest setback he faced in court, this one relating to votes in Maricopa County, Arizona… A half-dozen other Trump advisers have described Mr. Giuliani’s efforts as counterproductive and said that he was giving the president unwarranted optimism about what could happen… In an Oval Office meeting with aides on Thursday, Mr. Trump put Mr. Giuliani on speakerphone so the others could hear him. He angrily accused the aides of not telling the president the truthGiuliani’s conspiracy-riddled rant at Four Seasons Total Landscaping was so disastrous that it “scared off many of the lawyers” recruited to argue election-related lawsuits. Politico: “Campaign officials described the episode as disastrous...there are widespread concerns within Trumpworld and GOP circles that Giuliani’s antics are thwarting the president’s legal machinery from within.”
WaPo: Sandoval is part of a hastily convened team led by Matthew Braynard, a data specialist who worked on Trump’s 2016 campaign. Another participant is Thomas Baptiste, an adviser to the deputy secretary of the Interior Department who also took a leave to work on the project. Braynard said in an interview that several other government officials on leave are also assisting the effort, but he declined to identify them.Media’s role:
Her ascertainment is the legally necessary precursor to the government’s assistance to the Biden-Harris Presidential Transition Team. It releases $6.3 million dollars to the team, which is funded by public and private money; a loan of expanded federal office space and equipment; access to government agencies that will begin sharing information and records about ongoing activities, plans and vulnerabilities; national security briefings for the president; and other support.
The rules under development include policies that the incoming Biden administration would probably oppose, such as new caps on the length of foreign student visas; restrictions on the Environmental Protection Agency’s use of scientific research; limits on the EPA’s consideration of the benefits of regulating air pollutants; and a change that would make it easier for companies to treat workers as independent contractors, rather than employees with more robust wage protections.Last week, both Secretary of State Mike Pompeo and White House trade adviser Peter Navarro said they’re preparing for a second Trump term. “There will be a smooth transition to a second Trump administration,” Pompeo said during a news conference Tuesday afternoon (clip). Pompeo then doubled down on Fox News (clip). “We are moving forward here at the White House under the assumption there will be a second Trump term,” Navarro said on Fox Business Friday (clip).
The judge described an illegitimate shuffling of leadership chairs at the Department of Homeland Security, the agency responsible for immigration enforcement, for the predicament of Wolf's leadership and that of his predecessor, Kevin McAleenan.
"Based on the plain text of the operative order of succession," Garaufis wrote in the Saturday ruling, "neither Mr. McAleenan nor, in turn, Mr. Wolf, possessed statutory authority to serve as Acting Secretary. Therefore the Wolf Memorandum was not an exercise of legal authority."
Ranking | Title | Overall Score | Critics | Domestic | International | Year | Director |
---|---|---|---|---|---|---|---|
1 | The Godfather | 93.89 | 97.73 | 90.50 | 89.36 | 1972 | Francis Ford Coppola |
2 | The Godfather: Part II | 91.93 | 93.30 | 89.04 | 88.06 | 1974 | Francis Ford Coppola |
3 | Seven Samurai | 91.05 | 97.38 | 87.63 | 85.90 | 1954 | Akira Kurosawa |
4 | 12 Angry Men | 90.45 | 95.45 | 88.74 | 88.62 | 1957 | Sidney Lumet |
5 | City Lights | 89.94 | 96.75 | 85.67 | 85.93 | 1931 | Charlie Chaplin |
6 | The Good, the Bad and the Ugly | 89.45 | 91.20 | 87.81 | 86.59 | 1966 | Sergio Leone |
7 | The Shawshank Redemption | 89.41 | 82.95 | 89.49 | 89.18 | 1994 | Frank Darabont |
8 | Psycho | 89.29 | 95.23 | 85.70 | 85.01 | 1960 | Alfred Hitchcock |
9 | Modern Times | 89.28 | 95.55 | 85.21 | 85.37 | 1936 | Charlie Chaplin |
10 | Schindler's List | 89.08 | 93.80 | 87.22 | 87.29 | 1993 | Steven Spielberg |
11 | Pulp Fiction | 88.85 | 92.60 | 87.69 | 86.42 | 1994 | Quentin Tarantino |
12 | Rear Window | 88.63 | 97.65 | 85.40 | 83.33 | 1954 | Alfred Hitchcock |
13 | One Flew Over the Cuckoo's Nest | 88.55 | 87.38 | 86.28 | 86.97 | 1975 | Miloš Forman |
14 | Apocalypse Now | 88.54 | 93.85 | 85.24 | 83.48 | 1979 | Francis Ford Coppola |
15 | Tokyo Story | 88.49 | 98.30 | 85.16 | 83.76 | 1953 | Yasujirō Ozu |
16 | Spirited Away | 88.34 | 93.78 | 86.80 | 85.91 | 2001 | Hayao Miyazaki |
17 | GoodFellas | 88.03 | 91.48 | 87.00 | 84.03 | 1990 | Martin Scorsese |
18 | Vertigo | 88.02 | 95.60 | 84.05 | 82.76 | 1958 | Alfred Hitchcock |
19 | Singin' in the Rain | 88.01 | 97.65 | 83.95 | 83.13 | 1952 | Gene Kelly, Stanley Donen |
20 | Sunset Boulevard | 88.00 | 95.45 | 85.44 | 84.22 | 1950 | Billy Wilder |
21 | Citizen Kane | 87.83 | 99.03 | 83.06 | 82.22 | 1941 | Orson Welles |
22 | Harakiri | 87.79 | 85.83 | 88.00 | 86.29 | 1962 | Masaki Kobayashi |
23 | Rashomon | 87.74 | 96.55 | 83.52 | 82.73 | 1950 | Akira Kurosawa |
24 | Once Upon a Time in the West | 87.71 | 86.65 | 85.48 | 84.62 | 1968 | Sergio Leone |
25 | Fanny and Alexander | 87.54 | 97.30 | 83.15 | 83.00 | 1982 | Ingmar Bergman |
26 | The Lord of the Rings: The Return of the King | 87.40 | 92.59 | 86.06 | 85.38 | 2003 | Peter Jackson |
27 | Andrei Rublev | 87.39 | 91.90 | 83.80 | 83.94 | 1966 | Andrei Tarkovsky |
28 | The Passion of Joan of Arc | 87.39 | 94.65 | 83.88 | 83.57 | 1928 | Carl Theodor Dreyer |
29 | Sherlock Jr. | 87.36 | 96.45 | 83.64 | 85.60 | 1924 | Buster Keaton |
30 | Bicycle Thieves | 87.35 | 94.70 | 83.91 | 83.46 | 1948 | Vittorio De Sica |
31 | Casablanca | 87.35 | 98.00 | 85.25 | 82.62 | 1942 | Michael Curtiz |
32 | Some Like It Hot | 87.28 | 95.30 | 82.11 | 83.73 | 1959 | Billy Wilder |
33 | Persona | 87.22 | 88.20 | 84.28 | 83.07 | 1966 | Ingmar Bergman |
34 | Children of Paradise | 87.21 | 95.33 | 84.81 | 83.27 | 1945 | Marcel Carné |
35 | Taxi Driver | 87.14 | 93.88 | 83.60 | 82.06 | 1976 | Martin Scorsese |
36 | The Dark Knight | 87.08 | 88.81 | 86.96 | 84.80 | 2008 | Christopher Nolan |
37 | Metropolis | 87.03 | 96.00 | 82.92 | 84.01 | 1927 | Fritz Lang |
38 | Sunrise: A Song of Two Humans | 87.02 | 93.95 | 82.23 | 84.02 | 1927 | F. W. Murnau |
39 | Stalker | 87.02 | 92.30 | 83.86 | 83.29 | 1979 | Andrei Tarkovsky |
40 | Pather Panchali | 86.96 | 94.35 | 84.40 | 82.80 | 1955 | Satyajit Ray |
41 | Lawrence of Arabia | 86.95 | 97.65 | 83.76 | 81.49 | 1962 | David Lean |
42 | M | 86.91 | 96.20 | 84.34 | 82.92 | 1931 | Fritz Lang |
43 | Ordet | 86.82 | 98.10 | 83.08 | 82.55 | 1955 | Carl Theodor Dreyer |
44 | It's a Wonderful Life | 86.77 | 90.45 | 85.17 | 84.90 | 1946 | Frank Capra |
45 | Satantango | 86.76 | 90.45 | 84.58 | 84.21 | 1994 | Béla Tarr |
46 | Parasite | 86.72 | 96.34 | 86.55 | 83.15 | 2019 | Bong Joon-ho |
47 | The 400 Blows | 86.70 | 96.70 | 83.14 | 82.60 | 1959 | François Truffaut |
48 | Ikiru | 86.56 | 93.80 | 85.48 | 84.29 | 1952 | Akira Kurosawa |
49 | Mirror | 86.50 | 95.60 | 82.75 | 82.34 | 1975 | Andrei Tarkovsky |
50 | Come and See | 86.50 | 90.50 | 85.22 | 83.13 | 1985 | Elem Klimov |
51 | The Apartment | 86.48 | 92.00 | 84.09 | 82.99 | 1960 | Billy Wilder |
52 | The General | 86.45 | 91.45 | 82.59 | 83.87 | 1926 | Buster Keaton, Clyde Bruckman |
53 | Grave of the Fireflies | 86.43 | 95.13 | 85.85 | 82.97 | 1988 | Isao Takahata |
54 | Le Trou | 86.41 | 89.95 | 85.46 | 85.14 | 1960 | Jacques Becker |
55 | The Battle of Algiers | 86.37 | 95.40 | 82.64 | 81.24 | 1966 | Gillo Pontecorvo |
56 | A Man Escaped | 86.34 | 96.50 | 83.67 | 82.03 | 1956 | Robert Bresson |
57 | Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb | 86.34 | 95.85 | 84.37 | 83.03 | 1964 | Stanley Kubrick |
58 | Paths of Glory | 86.25 | 92.30 | 84.97 | 84.48 | 1957 | Stanley Kubrick |
59 | The Lord of the Rings: The Fellowship of the Ring | 86.24 | 88.75 | 85.61 | 84.31 | 2001 | Peter Jackson |
60 | All About Eve | 86.23 | 96.95 | 83.69 | 83.20 | 1950 | Joseph L. Mankiewicz |
61 | Star Wars: The Empire Strikes Back | 86.21 | 86.93 | 87.05 | 83.29 | 1980 | Irvin Kershner |
62 | High and Low | 86.16 | 86.55 | 86.08 | 84.26 | 1963 | Akira Kurosawa |
63 | The Great Dictator | 86.15 | 91.10 | 84.25 | 85.03 | 1940 | Charlie Chaplin |
64 | The Silence of the Lambs | 86.12 | 88.68 | 85.29 | 84.17 | 1991 | Jonathan Demme |
65 | 2001: A Space Odyssey | 86.06 | 88.35 | 82.93 | 81.54 | 1968 | Stanley Kubrick |
66 | North by Northwest | 86.03 | 96.38 | 83.17 | 81.74 | 1959 | Alfred Hitchcock |
67 | Double Indemnity | 85.91 | 94.38 | 83.84 | 83.12 | 1944 | Billy Wilder |
68 | Ugetsu | 85.91 | 97.25 | 82.69 | 81.91 | 1953 | Kenji Mizoguchi |
69 | Woman in the Dunes | 85.91 | 93.95 | 84.71 | 83.77 | 1964 | Hiroshi Teshigahara |
70 | Sansho the Bailiff | 85.88 | 95.50 | 84.24 | 82.21 | 1954 | Kenji Mizoguchi |
71 | Once Upon a Time in America | 85.87 | 86.10 | 83.84 | 85.53 | 1984 | Sergio Leone |
72 | City of God | 85.86 | 84.08 | 86.39 | 84.00 | 2002 | Fernando Meirelles, Kátia Lund |
73 | Late Spring | 85.81 | 94.75 | 83.74 | 82.27 | 1949 | Yasujirō Ozu |
74 | Barry Lyndon | 85.80 | 87.95 | 82.44 | 82.30 | 1975 | Stanley Kubrick |
75 | The Lord of the Rings: The Two Towers | 85.78 | 88.78 | 85.00 | 84.29 | 2002 | Peter Jackson |
76 | Raging Bull | 85.77 | 90.48 | 82.01 | 81.80 | 1980 | Martin Scorsese |
77 | Chinatown | 85.72 | 94.08 | 83.32 | 80.69 | 1974 | Roman Polanski |
78 | Alien | 85.69 | 91.73 | 84.76 | 82.62 | 1979 | Ridley Scott |
79 | Ran | 85.68 | 94.70 | 83.93 | 82.52 | 1985 | Akira Kurosawa |
80 | The Seventh Seal | 85.67 | 92.10 | 83.52 | 82.13 | 1957 | Ingmar Bergman |
81 | The Kid | 85.61 | 92.85 | 82.91 | 84.94 | 1921 | Charlie Chaplin |
82 | Wild Strawberries | 85.51 | 90.05 | 83.38 | 82.24 | 1957 | Ingmar Bergman |
83 | A Brighter Summer Day | 85.50 | 93.38 | 84.07 | 81.01 | 1991 | Edward Yang |
84 | 8½ | 85.48 | 91.20 | 82.59 | 81.09 | 1963 | Federico Fellini |
85 | The Pianist | 85.38 | 88.69 | 83.31 | 84.80 | 2002 | Roman Polanski |
86 | The World of Apu | 85.38 | 93.20 | 84.38 | 83.09 | 1959 | Satyajit Ray |
87 | La Dolce Vita | 85.37 | 94.38 | 81.40 | 80.48 | 1960 | Federico Fellini |
88 | Star Wars | 85.33 | 90.03 | 85.22 | 81.92 | 1977 | George Lucas |
89 | The Best of Youth | 85.31 | 88.78 | 85.31 | 83.64 | 2003 | Marco Tullio Giordana |
90 | The Gold Rush | 85.29 | 94.55 | 81.93 | 83.59 | 1925 | Charlie Chaplin |
91 | The Third Man | 85.26 | 96.50 | 82.91 | 80.21 | 1949 | Carol Reed |
92 | The Treasure of the Sierra Madre | 85.20 | 96.68 | 82.77 | 81.81 | 1948 | John Huston |
93 | I Am Cuba | 85.18 | 93.60 | 82.00 | 83.44 | 1964 | Mikhail Kalatozov |
94 | The Lives of Others | 85.14 | 89.03 | 84.12 | 82.73 | 2006 | Florian Henckel von Donnersmarck |
95 | Witness for the Prosecution | 85.13 | 92.65 | 83.67 | 84.99 | 1957 | Billy Wilder |
96 | Touch of Evil | 85.11 | 95.70 | 81.36 | 79.65 | 1958 | Orson Welles |
97 | WALL-E | 85.10 | 92.09 | 82.82 | 82.64 | 2008 | Andrew Stanton |
98 | Scenes from a Marriage | 85.02 | 86.85 | 84.80 | 83.06 | 1974 | Ingmar Bergman |
99 | To Be or Not to Be | 84.99 | 89.58 | 82.52 | 83.39 | 1942 | Ernst Lubitsch |
100 | A Separation | 84.92 | 94.24 | 83.34 | 80.90 | 2011 | Asghar Farhadi |
101 | The Night of the Hunter | 84.91 | 96.93 | 81.17 | 79.06 | 1955 | Charles Laughton |
102 | Three Colors: Red | 84.87 | 96.78 | 83.32 | 80.78 | 1994 | Krzysztof Kieślowski |
103 | Yojimbo | 84.87 | 91.55 | 83.85 | 82.99 | 1961 | Akira Kurosawa |
104 | Back to the Future | 84.85 | 89.38 | 84.47 | 81.94 | 1985 | Robert Zemeckis |
105 | My Neighbor Totoro | 84.84 | 87.53 | 83.44 | 83.17 | 1988 | Hayao Miyazaki |
106 | In the Mood for Love | 84.84 | 83.87 | 82.55 | 81.20 | 2000 | Wong Kar-wai |
107 | Princess Mononoke | 84.83 | 81.18 | 85.02 | 84.24 | 1999 | Hayao Miyazaki |
108 | Saving Private Ryan | 84.82 | 90.35 | 83.94 | 82.50 | 1998 | Steven Spielberg |
109 | Cinema Paradiso | 84.78 | 82.30 | 84.73 | 83.43 | 1988 | Giuseppe Tornatore |
110 | La Jetée | 84.75 | 89.25 | 83.27 | 81.80 | 1962 | Chris Marker |
111 | The Wages of Fear | 84.71 | 94.60 | 82.99 | 82.80 | 1953 | Henri-Georges Clouzot |
112 | Das Boot | 84.68 | 90.13 | 83.62 | 82.71 | 1981 | Wolfgang Petersen |
113 | Fight Club | 84.65 | 71.18 | 86.39 | 84.95 | 1999 | David Fincher |
114 | Nights of Cabiria | 84.64 | 92.25 | 82.72 | 83.13 | 1957 | Federico Fellini |
115 | La Strada | 84.61 | 92.60 | 80.79 | 82.78 | 1954 | Federico Fellini |
116 | Amadeus | 84.53 | 89.55 | 82.88 | 82.59 | 1984 | Miloš Forman |
117 | Forrest Gump | 84.50 | 76.90 | 83.06 | 86.12 | 1994 | Robert Zemeckis |
118 | Spider-Man: Into the Spider-Verse | 84.49 | 90.41 | 85.03 | 81.69 | 2018 | Peter Ramsey, Rodney Rothman, Bob Persichetti |
119 | The Lion King | 84.45 | 88.28 | 77.22 | 84.09 | 1994 | Rob Minkoff, Roger Allers |
120 | Inception | 84.43 | 82.07 | 84.18 | 84.17 | 2010 | Christopher Nolan |
121 | Whiplash | 84.42 | 89.53 | 84.87 | 81.96 | 2014 | Damien Chazelle |
122 | The Shop Around the Corner | 84.40 | 94.43 | 80.85 | 82.37 | 1940 | Ernst Lubitsch |
123 | Rififi | 84.38 | 92.00 | 83.03 | 81.58 | 1955 | Jules Dassin |
124 | Umberto D. | 84.38 | 92.63 | 82.20 | 81.75 | 1952 | Vittorio De Sica |
125 | Army of Shadows | 84.37 | 95.30 | 82.98 | 80.50 | 1969 | Jean-Pierre Melville |
126 | Blade Runner | 84.34 | 85.85 | 82.57 | 80.29 | 1982 | Ridley Scott |
127 | Samurai Rebellion | 84.33 | 89.05 | 82.85 | 83.84 | 1967 | Masaki Kobayashi |
128 | Close-Up | 84.31 | 85.70 | 81.99 | 80.69 | 1990 | Abbas Kiarostami |
129 | The Circus | 84.29 | 90.35 | 81.69 | 83.14 | 1928 | Charlie Chaplin |
130 | Raiders of the Lost Ark | 84.19 | 89.33 | 84.31 | 80.57 | 1981 | Steven Spielberg |
131 | Grand Illusion | 84.18 | 95.35 | 81.85 | 79.78 | 1937 | Jean Renoir |
132 | A Clockwork Orange | 84.18 | 82.78 | 82.37 | 82.51 | 1971 | Stanley Kubrick |
133 | Eternal Sunshine of the Spotless Mind | 84.07 | 89.37 | 83.36 | 80.57 | 2004 | Michel Gondry |
134 | A Woman Under the Influence | 84.01 | 87.40 | 82.51 | 80.40 | 1974 | John Cassavetes |
135 | The Cranes Are Flying | 84.00 | 89.30 | 82.76 | 82.40 | 1957 | Mikhail Kalatozov |
136 | Yi Yi | 83.91 | 91.25 | 82.48 | 79.64 | 2000 | Edward Yang |
137 | To Kill a Mockingbird | 83.91 | 89.13 | 81.98 | 82.20 | 1962 | Robert Mulligan |
138 | The Matrix | 83.90 | 77.78 | 84.54 | 83.06 | 1999 | Wachowski Sisters |
139 | The Sting | 83.90 | 85.73 | 82.71 | 83.36 | 1973 | George Roy Hill |
140 | The Mother and the Whore | 83.87 | 94.55 | 81.24 | 79.82 | 1973 | Jean Eustache |
141 | Se7en | 83.86 | 72.15 | 84.91 | 84.48 | 1995 | David Fincher |
142 | Early Summer | 83.85 | 94.45 | 82.19 | 82.01 | 1951 | Yasujirō Ozu |
143 | Werckmeister Harmonies | 83.80 | 91.73 | 80.89 | 81.93 | 2000 | Béla Tarr, Ágnes Hranitzky |
144 | Coco | 83.80 | 86.21 | 82.73 | 83.66 | 2017 | Adrian Molina, Lee Unkrich |
145 | Toy Story | 83.76 | 95.03 | 82.30 | 80.15 | 1995 | John Lasseter |
146 | It Happened One Night | 83.76 | 90.83 | 81.46 | 81.76 | 1934 | Frank Capra |
147 | Reservoir Dogs | 83.74 | 84.68 | 83.12 | 81.99 | 1992 | Quentin Tarantino |
148 | Unforgiven | 83.73 | 88.55 | 82.24 | 81.59 | 1992 | Clint Eastwood |
149 | The Deer Hunter | 83.73 | 87.68 | 80.57 | 82.06 | 1978 | Michael Cimino |
150 | The Young and the Damned | 83.72 | 87.10 | 82.58 | 80.82 | 1950 | Luis Buñuel |
151 | The Best Years of Our Lives | 83.68 | 92.63 | 81.19 | 81.20 | 1946 | William Wyler |
152 | The Leopard | 83.66 | 97.30 | 79.56 | 79.57 | 1963 | Luchino Visconti |
153 | Time of the Gypsies | 83.65 | 86.05 | 83.31 | 82.29 | 1988 | Emir Kusturica |
154 | Ali: Fear Eats the Soul | 83.61 | 96.70 | 80.51 | 79.97 | 1974 | Rainer Werner Fassbinder |
155 | Raise the Red Lantern | 83.57 | 90.25 | 82.37 | 81.81 | 1991 | Zhang Yimou |
156 | Terminator 2: Judgment Day | 83.57 | 82.00 | 84.11 | 81.83 | 1991 | James Cameron |
157 | The Shining | 83.55 | 75.35 | 84.08 | 81.80 | 1980 | Stanley Kubrick |
158 | Viridiana | 83.54 | 92.95 | 80.68 | 80.81 | 1961 | Luis Buñuel |
159 | Portrait of a Lady on Fire | 83.52 | 93.59 | 83.08 | 80.02 | 2019 | Céline Sciamma |
160 | Greed | 83.51 | 97.05 | 80.65 | 80.64 | 1924 | Erich von Stroheim |
161 | Gone with the Wind | 83.48 | 92.90 | 80.01 | 81.68 | 1939 | Victor Fleming |
162 | There Will Be Blood | 83.48 | 89.65 | 81.91 | 79.02 | 2007 | Paul Thomas Anderson |
163 | L.A. Confidential | 83.46 | 91.63 | 82.08 | 80.81 | 1997 | Curtis Hanson |
164 | Paris, Texas | 83.46 | 83.95 | 82.89 | 81.66 | 1984 | Wim Wenders |
165 | Throne of Blood | 83.45 | 91.30 | 82.18 | 81.49 | 1957 | Akira Kurosawa |
166 | Toy Story 3 | 83.43 | 93.55 | 81.61 | 80.32 | 2010 | Lee Unkrich |
167 | Memento | 83.43 | 85.20 | 83.78 | 80.76 | 2000 | Christopher Nolan |
168 | On the Waterfront | 83.37 | 93.00 | 82.23 | 79.52 | 1954 | Elia Kazan |
169 | Trip to the Moon | 83.37 | 94.70 | 79.96 | 82.83 | 1902 | Georges Méliès |
170 | The Rules of the Game | 83.33 | 96.55 | 80.45 | 78.02 | 1939 | Jean Renoir |
171 | Red Beard | 83.32 | 74.15 | 83.41 | 83.27 | 1965 | Akira Kurosawa |
172 | The Grapes of Wrath | 83.32 | 95.45 | 80.42 | 80.34 | 1940 | John Ford |
173 | Au Hasard Balthazar | 83.29 | 98.08 | 77.93 | 77.54 | 1966 | Robert Bresson |
174 | Autumn Sonata | 83.29 | 84.85 | 83.09 | 82.66 | 1978 | Ingmar Bergman |
175 | Annie Hall | 83.28 | 93.18 | 80.58 | 80.58 | 1977 | Woody Allen |
176 | The Conformist | 83.27 | 96.68 | 79.92 | 78.58 | 1970 | Bernardo Bertolucci |
177 | Rocco and His Brothers | 83.24 | 84.73 | 81.95 | 81.68 | 1960 | Luchino Visconti |
178 | Dersu Uzala | 83.23 | 74.75 | 82.35 | 83.37 | 1975 | Akira Kurosawa |
179 | Cool Hand Luke | 83.21 | 93.05 | 82.22 | 79.83 | 1967 | Stuart Rosenberg |
180 | Monty Python and the Holy Grail | 83.18 | 91.98 | 82.96 | 79.30 | 1975 | Terry Gilliam, Terry Jones |
181 | Le Samouraï | 83.18 | 92.35 | 82.45 | 79.40 | 1967 | Jean-Pierre Melville |
182 | Aliens | 83.18 | 88.73 | 83.29 | 79.61 | 1986 | James Cameron |
183 | PlayTime | 83.16 | 93.50 | 80.22 | 78.80 | 1967 | Jacques Tati |
184 | The Bridge on the River Kwai | 83.14 | 90.58 | 81.93 | 80.24 | 1957 | David Lean |
185 | The Red Shoes | 83.13 | 93.15 | 82.82 | 79.96 | 1948 | Michael Powell, Emeric Pressburger |
186 | American Beauty | 83.10 | 87.15 | 81.93 | 81.13 | 1999 | Sam Mendes |
187 | To Live | 83.10 | 84.00 | 82.16 | 82.46 | 1994 | Zhang Yimou |
188 | Battleship Potemkin | 83.10 | 95.85 | 77.81 | 80.41 | 1925 | Sergei Eisenstein |
189 | Day of Wrath | 83.09 | 93.40 | 81.07 | 81.29 | 1943 | Carl Theodor Dreyer |
190 | All Quiet on the Western Front | 83.07 | 92.85 | 80.05 | 81.48 | 1930 | Lewis Milestone |
191 | It's Such a Beautiful Day | 83.07 | 91.25 | 83.62 | 79.77 | 2012 | Don Hertzfeldt |
192 | Full Metal Jacket | 83.06 | 81.53 | 82.21 | 82.54 | 1987 | Stanley Kubrick |
193 | The Cabinet of Dr. Caligari | 83.05 | 96.40 | 79.84 | 81.83 | 1920 | Robert Wiene |
194 | Kes | 83.03 | 97.80 | 79.59 | 80.55 | 1969 | Ken Loach |
195 | The Usual Suspects | 83.02 | 80.23 | 84.08 | 81.48 | 1995 | Bryan Singer |
196 | The Cameraman | 83.00 | 93.90 | 80.77 | 81.57 | 1928 | Edward Segdwick, Buster Keaton |
197 | Aparajito | 83.00 | 90.90 | 81.81 | 81.20 | 1956 | Satyajit Ray |
198 | The Elephant Man | 83.00 | 83.00 | 82.10 | 81.87 | 1980 | David Lynch |
199 | Rebecca | 82.98 | 90.08 | 81.08 | 80.93 | 1940 | Alfred Hitchcock |
200 | Make Way for Tomorrow | 82.97 | 95.80 | 81.72 | 80.14 | 1937 | Leo McCarey |
201 | The Great Escape | 82.97 | 87.68 | 82.29 | 80.66 | 1963 | John Sturges |
202 | Your Name | 82.97 | 84.55 | 84.07 | 81.29 | 2016 | Makoto Shinkai |
203 | Limelight | 82.92 | 88.00 | 79.85 | 83.02 | 1952 | Charlie Chaplin |
204 | Breathless | 82.92 | 91.95 | 78.88 | 79.10 | 1960 | Jean-Luc Godard |
205 | Underground | 82.91 | 80.75 | 81.26 | 82.64 | 1995 | Emir Kusturica |
206 | The Man Who Shot Liberty Valance | 82.88 | 91.90 | 81.08 | 79.53 | 1962 | John Ford |
207 | Aguirre: The Wrath of God | 82.87 | 94.55 | 80.46 | 78.62 | 1972 | Werner Herzog |
208 | Oldboy | 82.86 | 78.98 | 84.00 | 81.27 | 2003 | Park Chan-wook |
209 | Up | 82.84 | 90.28 | 81.32 | 80.86 | 2009 | Pete Docter |
210 | Anatomy of a Murder | 82.84 | 94.00 | 80.57 | 80.02 | 1959 | Otto Preminger |
211 | The Wild Bunch | 82.84 | 90.35 | 79.45 | 80.12 | 1969 | Sam Peckinpah |
212 | The Hunt | 82.75 | 82.08 | 82.79 | 82.62 | 2012 | Thomas Vinterberg |
213 | Il Sorpasso | 82.74 | 95.75 | 82.84 | 79.57 | 1962 | Dino Risi |
214 | The Last Laugh | 82.74 | 95.25 | 79.47 | 81.61 | 1924 | F. W. Murnau |
215 | A Streetcar Named Desire | 82.73 | 94.60 | 79.89 | 80.26 | 1951 | Elia Kazan |
216 | Life Is Beautiful | 82.73 | 68.45 | 83.60 | 85.57 | 1997 | Roberto Benigni |
217 | A Short Film About Love | 82.71 | 87.10 | 81.90 | 81.89 | 1988 | Krzysztof Kieślowski |
218 | The Shop on Main Street | 82.71 | 94.45 | 82.15 | 80.43 | 1965 | Ján Kadár, Elmar Klos |
219 | Rio Bravo | 82.71 | 92.10 | 80.46 | 79.80 | 1959 | Howard Hawks |
220 | Roman Holiday | 82.70 | 84.55 | 80.74 | 82.42 | 1953 | William Wyler |
221 | Ivan's Childhood | 82.69 | 94.80 | 81.25 | 80.37 | 1962 | Andrei Tarkovsky |
222 | The Exterminating Angel | 82.68 | 91.10 | 81.66 | 80.17 | 1962 | Luis Buñuel |
223 | Trainspotting | 82.68 | 85.20 | 81.57 | 81.21 | 1996 | Danny Boyle |
224 | The Last Picture Show | 82.67 | 94.15 | 79.90 | 79.56 | 1971 | Peter Bogdanovich |
225 | The Truman Show | 82.64 | 89.63 | 79.70 | 82.15 | 1998 | Peter Weir |
226 | Memories of Murder | 82.64 | 82.88 | 82.68 | 80.94 | 2003 | Bong Joon-ho |
227 | Faust | 82.62 | 89.70 | 80.23 | 81.94 | 1926 | F. W. Murnau |
228 | Sans Soleil | 82.62 | 83.90 | 79.45 | 80.51 | 1983 | Chris Marker |
229 | Song of the Sea | 82.57 | 87.63 | 80.59 | 82.23 | 2014 | Tomm Moore |
230 | Léon: The Professional | 82.55 | 67.38 | 84.05 | 84.07 | 1994 | Luc Besson |
231 | Fargo | 82.54 | 87.45 | 82.36 | 79.19 | 1996 | Coen Brothers |
232 | Solaris | 82.54 | 89.95 | 80.91 | 79.69 | 1972 | Andrei Tarkovsky |
233 | Sweet Smell of Success | 82.52 | 96.53 | 80.81 | 77.62 | 1957 | Alexander Mackendrick |
234 | For a Few Dollars More | 82.52 | 79.28 | 82.38 | 83.15 | 1965 | Sergio Leone |
235 | White Heat | 82.51 | 90.65 | 80.77 | 81.24 | 1949 | Raoul Walsh |
236 | Brief Encounter | 82.50 | 88.35 | 80.81 | 81.03 | 1945 | David Lean |
237 | Wings of Desire | 82.49 | 85.70 | 81.30 | 80.42 | 1987 | Wim Wenders |
238 | Diabolique | 82.47 | 90.70 | 81.27 | 80.73 | 1955 | Henri-Georges Clouzot |
239 | An Autumn Afternoon | 82.45 | 91.95 | 81.68 | 79.85 | 1962 | Yasujirō Ozu |
240 | The Tale of the Princess Kaguya | 82.44 | 90.63 | 81.16 | 80.43 | 2013 | Isao Takahata |
241 | Amarcord | 82.41 | 85.95 | 79.26 | 80.73 | 1973 | Federico Fellini |
242 | Heat | 82.40 | 79.08 | 82.03 | 81.73 | 1995 | Michael Mann |
243 | L'Atalante | 82.40 | 95.60 | 78.32 | 78.10 | 1934 | Jean Vigo |
244 | Django Unchained | 82.39 | 83.44 | 82.23 | 81.94 | 2012 | Quentin Tarantino |
245 | Jeanne Dielman, 23 Commerce Quay, 1080 Brussels | 82.38 | 95.50 | 78.73 | 79.69 | 1975 | Chantal Akerman |
246 | Kind Hearts and Coronets | 82.38 | 95.60 | 80.80 | 79.72 | 1949 | Robert Hamer |
247 | Dog Day Afternoon | 82.37 | 88.40 | 81.11 | 79.80 | 1975 | Sidney Lumet |
248 | Forbidden Games | 82.37 | 93.75 | 80.36 | 80.99 | 1952 | René Clément |
249 | The Crowd | 82.35 | 93.35 | 79.21 | 81.23 | 1928 | King Vidor |
250 | Notorious | 82.35 | 96.78 | 79.96 | 78.21 | 1946 | Alfred Hitchcock |
251 | Mary and Max | 82.35 | 88.05 | 80.95 | 82.42 | 2009 | Adam Elliot |
252 | Persepolis | 82.34 | 88.95 | 80.09 | 80.77 | 2007 | Marjane Satrapi, Vincent Paronnaud |
253 | Howl's Moving Castle | 82.33 | 78.71 | 82.63 | 83.10 | 2004 | Hayao Miyazaki |
254 | Nausicaä of the Valley of the Wind | 82.33 | 85.10 | 81.54 | 82.03 | 1984 | Hayao Miyazaki |
255 | Safety Last! | 82.33 | 92.25 | 80.95 | 81.10 | 1923 | Fred C. Newmeyer, Sam Taylor |
256 | Rosemary's Baby | 82.32 | 94.78 | 79.99 | 78.69 | 1968 | Roman Polanski |
257 | L'Avventura | 82.32 | 92.10 | 79.08 | 78.03 | 1960 | Michelangelo Antonioni |
258 | The Searchers | 82.32 | 93.90 | 78.16 | 76.66 | 1956 | John Ford |
259 | La Haine | 82.30 | 90.60 | 82.38 | 79.56 | 1995 | Mathieu Kassovitz |
260 | Three Colors: Blue | 82.30 | 88.28 | 81.55 | 79.23 | 1993 | Krzysztof Kieślowski |
261 | Chungking Express | 82.30 | 79.95 | 82.29 | 80.73 | 1994 | Wong Kar-wai |
262 | Inside Out | 82.29 | 93.66 | 80.27 | 79.85 | 2015 | Pete Docter |
263 | Where is the Friend's Home? | 82.28 | 89.25 | 81.22 | 80.21 | 1987 | Abbas Kiarostami |
264 | Cries and Whispers | 82.27 | 85.45 | 81.02 | 80.80 | 1972 | Ingmar Bergman |
265 | Napoleon | 82.22 | 93.25 | 81.89 | 78.99 | 1927 | Abel Gance |
266 | Paper Moon | 82.19 | 83.08 | 81.37 | 81.29 | 1973 | Peter Bogdanovich |
267 | The Spirit of the Beehive | 82.17 | 89.83 | 79.31 | 78.91 | 1973 | Víctor Erice |
268 | A Special Day | 82.16 | 90.20 | 81.11 | 81.25 | 1977 | Ettore Scola |
269 | Nostalghia | 82.15 | 83.00 | 80.91 | 81.23 | 1983 | Andrei Tarkovsky |
270 | Network | 82.13 | 85.45 | 82.36 | 79.08 | 1976 | Sidney Lumet |
271 | L'Eclisse | 82.11 | 84.70 | 79.78 | 78.81 | 1962 | Michelangelo Antonioni |
272 | Mr. Smith Goes to Washington | 82.09 | 80.83 | 81.78 | 81.15 | 1939 | Frank Capra |
273 | Sanjuro | 82.09 | 91.90 | 81.67 | 80.85 | 1962 | Akira Kurosawa |
274 | Badlands | 82.06 | 93.38 | 79.77 | 77.21 | 1973 | Terrence Malick |
275 | Vivre Sa Vie | 82.06 | 85.20 | 80.12 | 79.83 | 1962 | Jean-Luc Godard |
276 | Nobody Knows | 82.06 | 87.18 | 81.12 | 81.15 | 2004 | Hirokazu Koreeda |
277 | No Country for Old Men | 82.05 | 90.68 | 80.56 | 78.47 | 2007 | Coen Brothers |
278 | Spring, Summer, Fall, Winter... and Spring | 82.05 | 86.05 | 80.76 | 80.62 | 2003 | Kim Ki-duk |
279 | La Notte | 82.04 | 78.35 | 81.45 | 81.11 | 1961 | Michelangelo Antonioni |
280 | The Celebration | 82.04 | 84.23 | 81.34 | 80.08 | 1998 | Thomas Vinterberg |
281 | In the Name of the Father | 82.04 | 84.90 | 81.14 | 81.85 | 1993 | Jim Sheridan |
282 | I Am a Fugitive from a Chain Gang | 82.02 | 89.55 | 80.18 | 81.56 | 1932 | Mervyn LeRoy |
283 | Shoplifters | 82.01 | 92.39 | 80.60 | 79.31 | 2018 | Hirokazu Koreeda |
284 | Finding Nemo | 82.01 | 92.60 | 80.13 | 78.76 | 2003 | Andrew Stanton, Lee Unkrich |
285 | Z | 81.98 | 87.55 | 82.21 | 79.59 | 1969 | Costa-Gavras |
286 | The Phantom Carriage | 81.96 | 95.00 | 80.01 | 80.32 | 1921 | Victor Sjöström |
287 | Manhattan | 81.95 | 86.23 | 80.50 | 79.81 | 1979 | Woody Allen |
288 | Rome, Open City | 81.94 | 95.40 | 80.45 | 79.27 | 1945 | Robert Rossellini |
289 | Children of Heaven | 81.93 | 80.15 | 81.24 | 82.01 | 1997 | Majid Majidi |
290 | The Green Mile | 81.92 | 71.93 | 82.95 | 84.38 | 1999 | Frank Darabont |
291 | The Iron Giant | 81.91 | 86.61 | 80.88 | 79.95 | 1999 | Brad Bird |
292 | The Sacrifice | 81.90 | 80.30 | 80.47 | 81.37 | 1986 | Andrei Tarkovsky |
293 | The Philadelphia Story | 81.90 | 94.95 | 79.79 | 77.86 | 1940 | George Cukor |
294 | The Twilight Samurai | 81.90 | 86.10 | 81.07 | 81.13 | 2002 | Yôji Yamada |
295 | Before Sunset | 81.88 | 87.79 | 81.42 | 78.41 | 2004 | Richard Linklater |
296 | Before Sunrise | 81.86 | 84.40 | 82.24 | 79.44 | 1995 | Richard Linklater |
297 | Castle in the Sky | 81.85 | 81.63 | 81.49 | 82.06 | 1986 | Hayao Miyazaki |
298 | The Departed | 81.84 | 86.92 | 82.82 | 79.04 | 2006 | Martin Scorsese |
299 | Brazil | 81.83 | 90.23 | 80.61 | 78.37 | 1985 | Terry Gilliam |
300 | Incendies | 81.81 | 83.85 | 81.88 | 80.74 | 2011 | Denis Villenueve |
301 | The Maltese Falcon | 81.81 | 95.65 | 80.24 | 77.28 | 1941 | John Huston |
302 | The Wizard of Oz | 81.77 | 98.03 | 79.38 | 77.17 | 1939 | Victor Fleming |
303 | Le Cercle Rouge | 81.76 | 90.03 | 80.81 | 78.54 | 1970 | Jean-Pierre Melville |
304 | Monsieur Verdoux | 81.76 | 89.80 | 78.55 | 81.34 | 1947 | Charlie Chaplin |
305 | The Return | 81.72 | 84.85 | 80.02 | 80.96 | 2003 | Andrey Zvyagintsev |
306 | Secrets & Lies | 81.71 | 90.73 | 80.29 | 78.66 | 1996 | Mike Leigh |
307 | The Hidden Fortress | 81.70 | 91.25 | 80.79 | 80.72 | 1958 | Akira Kurosawa |
308 | Pan's Labyrinth | 81.69 | 92.59 | 81.60 | 76.08 | 2006 | Guillermo del Toro |
309 | Amélie | 81.69 | 79.64 | 81.96 | 80.27 | 2004 | Jean-Pierre Jeunet |
310 | Ben-Hur | 81.67 | 86.93 | 79.86 | 80.22 | 1959 | William Wyler |
311 | Fitzcarraldo | 81.67 | 75.80 | 81.06 | 81.21 | 1982 | Werner Herzog |
312 | American History X | 81.63 | 70.13 | 83.58 | 83.00 | 1998 | Tony Kaye |
313 | Ace in the Hole | 81.62 | 79.10 | 80.88 | 81.36 | 1951 | Billy Wilder |
314 | Capernaum | 81.62 | 81.83 | 80.52 | 82.18 | 2018 | Nadine Labaki |
315 | Still Walking | 81.61 | 90.30 | 80.92 | 79.48 | 2008 | Hirokazu Koreeda |
316 | All About My Mother | 81.61 | 88.77 | 79.56 | 78.80 | 1999 | Pedro Almodóvar |
317 | The Discreet Charm of the Bourgeoisie | 81.60 | 92.28 | 78.82 | 78.83 | 1972 | Luis Buñuel |
318 | Platoon | 81.60 | 88.70 | 79.52 | 80.45 | 1986 | Oliver Stone |
319 | Farewell My Concubine | 81.60 | 80.50 | 80.49 | 81.04 | 1993 | Chen Kaige |
320 | Letter from an Unknown Woman | 81.59 | 93.10 | 79.84 | 79.31 | 1948 | Max Ophüls |
321 | The Grand Budapest Hotel | 81.58 | 87.64 | 80.72 | 79.19 | 2014 | Wes Anderson |
322 | The Virgin Spring | 81.58 | 82.45 | 80.70 | 80.66 | 1960 | Ingmar Bergman |
323 | The Red Balloon | 81.57 | 90.20 | 79.93 | 80.30 | 1956 | Albert Lamorisse |
324 | Stagecoach | 81.57 | 94.58 | 77.69 | 78.94 | 1939 | John Ford |
325 | Mulholland Drive | 81.56 | 80.61 | 79.60 | 77.87 | 2001 | David Lynch |
326 | A Matter of Life and Death | 81.49 | 92.60 | 81.91 | 76.27 | 1946 | Michael Powell, Emeric Pressburger |
327 | High Noon | 81.48 | 90.58 | 79.27 | 78.94 | 1952 | Fred Zinnemann |
328 | Orpheus | 81.48 | 96.20 | 79.88 | 78.90 | 1950 | Jean Cocteau |
329 | Life of Brian | 81.47 | 82.98 | 80.78 | 79.81 | 1979 | Terry Jones |
330 | Casino | 81.46 | 74.23 | 81.54 | 81.75 | 1995 | Martin Scorsese |
331 | Kagemusha | 81.44 | 82.93 | 80.01 | 80.43 | 1980 | Akira Kurosawa |
332 | Butch Cassidy and the Sundance Kid | 81.43 | 76.08 | 80.53 | 81.85 | 1969 | George Roy Hill |
333 | In a Lonely Place | 81.43 | 92.45 | 80.42 | 78.77 | 1950 | Nicholas Ray |
334 | Scarface | 81.43 | 71.30 | 81.97 | 82.18 | 1983 | Brian De Palma |
335 | A Short Film About Killing | 81.42 | 87.35 | 79.89 | 80.38 | 1988 | Krzysztof Kieślowski |
336 | Beauty and the Beast | 81.41 | 92.05 | 79.28 | 78.32 | 1946 | Jean Cocteau |
337 | The Hustler | 81.39 | 92.45 | 80.43 | 78.97 | 1961 | Robert Rossen |
338 | Cléo from 5 to 7 | 81.38 | 91.65 | 80.03 | 79.11 | 1962 | Agnès Varda |
339 | Fireworks | 81.37 | 90.15 | 80.01 | 79.63 | 1997 | Takeshi Kitano |
340 | Room | 81.36 | 88.41 | 80.43 | 79.48 | 2015 | Lenny Abrahamson |
341 | Mad Max: Fury Road | 81.35 | 90.39 | 79.76 | 77.80 | 2015 | George Miller |
342 | Steamboat Bill, Jr. | 81.32 | 95.75 | 79.30 | 79.23 | 1928 | Charles Reisner, Buster Keaton |
343 | Judgment at Nuremberg | 81.31 | 71.58 | 82.24 | 83.03 | 1961 | Stanley Kramer |
344 | The Straight Story | 81.30 | 87.15 | 79.64 | 79.88 | 1999 | David Lynch |
345 | Meshes of the Afternoon | 81.29 | 96.25 | 77.91 | 79.99 | 1943 | Maya Deren, Alexandr Hackenschmied |
346 | Alice in the Cities | 81.28 | 86.70 | 79.60 | 80.20 | 1974 | Wim Wenders |
347 | Akira | 81.28 | 80.90 | 81.12 | 79.98 | 1988 | Katsuhiro Otomo |
348 | Good Will Hunting | 81.27 | 79.38 | 81.97 | 81.05 | 1997 | Gus Van Sant |
349 | The Miracle Worker | 81.25 | 85.15 | 78.88 | 81.55 | 1962 | Arthur Penn |
350 | Talk to Her | 81.25 | 87.48 | 79.33 | 78.71 | 2002 | Pedro Almodóvar |
351 | The Graduate | 81.24 | 85.58 | 78.91 | 79.97 | 1967 | Mike Nichols |
352 | Beauty and the Beast | 81.22 | 92.28 | 79.20 | 78.77 | 1991 | Gary Trousdale, Kirk Wise |
353 | The Heiress | 81.19 | 94.45 | 80.20 | 79.76 | 1949 | William Wyler |
354 | Fantasia | 81.18 | 93.03 | 76.76 | 79.95 | 1940 | Samuel Armstrong, James Algar |
355 | Au Revoir les Enfants | 81.18 | 94.25 | 80.14 | 78.92 | 1987 | Louis Malle |
356 | Three Billboards Outside Ebbing, Missouri | 81.18 | 88.62 | 79.36 | 79.90 | 2017 | Martin McDonagh |
357 | Inglourious Basterds | 81.17 | 79.05 | 81.06 | 80.51 | 2009 | Quentin Tarantino |
358 | Elevator to the Gallows | 81.16 | 90.45 | 79.31 | 78.56 | 1958 | Louis Malle |
359 | Gladiator | 81.16 | 75.39 | 81.69 | 81.52 | 2000 | Ridley Scott |
360 | Through a Glass Darkly | 81.15 | 93.60 | 81.11 | 78.86 | 1961 | Ingmar Bergman |
361 | Million Dollar Baby | 81.15 | 87.41 | 77.43 | 80.72 | 2004 | Clint Eastwood |
362 | Days of Heaven | 81.15 | 90.75 | 80.19 | 77.08 | 1978 | Terrence Malick |
363 | Do the Right Thing | 81.15 | 90.78 | 80.26 | 77.04 | 1989 | Spike Lee |
364 | Out of the Past | 81.14 | 91.40 | 80.73 | 77.92 | 1947 | Jacques Tourneur |
365 | Strangers on a Train | 81.11 | 93.30 | 80.01 | 78.68 | 1951 | Alfred Hitchcock |
366 | Blue Velvet | 81.11 | 83.48 | 78.98 | 77.09 | 1986 | David Lynch |
367 | That Obscure Object of Desire | 81.09 | 89.40 | 79.59 | 78.11 | 1977 | Luis Buñuel |
368 | What Ever Happened to Baby Jane? | 81.08 | 80.23 | 80.74 | 80.75 | 1962 | Robert Aldrich |
369 | My Night at Maud's | 81.07 | 88.15 | 79.51 | 79.42 | 1969 | Éric Rohmer |
370 | The Earrings of Madame de… | 81.07 | 92.15 | 80.36 | 77.05 | 1953 | Max Ophüls |
371 | The Conversation | 81.04 | 89.23 | 80.03 | 77.44 | 1974 | Francis Ford Coppola |
372 | The Killing | 81.03 | 91.50 | 79.51 | 79.21 | 1956 | Stanley Kubrick |
373 | The Servant | 81.03 | 87.83 | 79.45 | 78.57 | 1963 | Joseph Losey |
374 | The Intouchables | 81.03 | 67.15 | 82.13 | 84.70 | 2011 | Olivier Nakache, Éric Toledano |
375 | The Life and Death of Colonel Blimp | 81.01 | 94.15 | 81.57 | 75.44 | 1943 | Michael Powell, Emeric Pressburger |
376 | Jaws | 81.01 | 90.98 | 79.91 | 75.70 | 1975 | Steven Spielberg |
377 | Winter Light | 81.01 | 73.55 | 81.51 | 79.95 | 1963 | Ingmar Bergman |
378 | Love Exposure | 81.01 | 80.88 | 82.23 | 79.55 | 2008 | Sion Sono |
379 | Hiroshima Mon Amour | 81.00 | 92.95 | 80.13 | 77.99 | 1959 | Alain Resnais |
380 | Day for Night | 80.98 | 92.55 | 80.21 | 78.27 | 1973 | François Truffaut |
381 | Ratatouille | 80.97 | 92.73 | 78.72 | 78.68 | 2007 | Brad Bird |
382 | Ghost in the Shell | 80.97 | 81.43 | 79.98 | 81.15 | 1995 | Mamoru Oshii |
383 | Germany Year Zero | 80.95 | 92.00 | 77.80 | 80.03 | 1948 | Roberto Rossellini |
384 | Spotlight | 80.93 | 93.00 | 79.75 | 77.55 | 2015 | Tom McCarthy |
385 | Die Hard | 80.93 | 79.58 | 81.11 | 79.43 | 1988 | John McTiernan |
386 | Laura | 80.93 | 93.80 | 79.70 | 78.47 | 1944 | Otto Preminger |
387 | Sleuth | 80.93 | 89.95 | 79.16 | 80.87 | 1972 | Joseph L. Mankiewicz |
388 | The Diving Bell and the Butterfly | 80.92 | 88.64 | 79.69 | 77.84 | 2007 | Julian Schnabel |
389 | The Handmaiden | 80.92 | 85.99 | 82.55 | 77.41 | 2016 | Park Chan-wook |
390 | Stand by Me | 80.90 | 80.20 | 81.28 | 79.54 | 1986 | Rob Reiner |
391 | Wolf Children | 80.90 | 80.15 | 80.40 | 81.27 | 2012 | Mamoru Hosoda |
392 | Marriage Story | 80.88 | 92.86 | 79.40 | 77.75 | 2019 | Noam Baumbach |
393 | Shoeshine | 80.87 | 93.75 | 79.02 | 79.38 | 1946 | Vittorio De Sica |
394 | Freaks | 80.85 | 84.70 | 77.66 | 80.31 | 1932 | Tod Browning |
395 | Nosferatu | 80.85 | 93.75 | 78.29 | 79.14 | 1922 | F. W. Murnau |
396 | Dial M for Murder | 80.84 | 77.60 | 81.17 | 81.31 | 1954 | Alfred Hitchcock |
397 | Amour | 80.81 | 90.90 | 77.74 | 78.19 | 2012 | Michael Haneke |
398 | 12 Years a Slave | 80.80 | 94.00 | 79.74 | 76.94 | 2013 | Steve McQueen |
399 | The Nightmare Before Christmas | 80.77 | 85.38 | 79.26 | 79.69 | 1993 | Henry Selick |
400 | Cabaret | 80.77 | 84.68 | 77.34 | 80.69 | 1972 | Bob Fosse |
401 | Central Station | 80.77 | 83.28 | 80.91 | 78.52 | 1998 | Walter Salles |
402 | Landscape in the Mist | 80.74 | 71.35 | 80.76 | 80.28 | 1988 | Theo Angelopoulos |
403 | 1917 | 80.73 | 84.37 | 80.65 | 79.33 | 2019 | Sam Mendes |
404 | Intolerance: Love's Struggle Throughout the Ages | 80.71 | 93.98 | 75.69 | 78.01 | 1916 | D. W. Griffith |
405 | Call Me by Your Name | 80.71 | 91.25 | 79.43 | 77.87 | 2017 | Luca Guadagnino |
406 | Midnight Cowboy | 80.71 | 82.98 | 79.10 | 79.50 | 1969 | John Schlesinger |
407 | Shadow of a Doubt | 80.70 | 94.38 | 79.31 | 76.04 | 1943 | Alfred Hitchcock |
408 | Interstellar | 80.70 | 74.16 | 81.30 | 82.25 | 2014 | Christopher Nolan |
409 | Hannah and Her Sisters | 80.69 | 88.95 | 79.15 | 77.98 | 1986 | Woody Allen |
410 | Monsters, Inc. | 80.68 | 85.29 | 79.37 | 80.08 | 2001 | Pete Docter, David Silverman |
411 | The Testament of Dr. Mabuse | 80.65 | 85.85 | 79.40 | 79.38 | 1933 | Fritz Lang |
412 | Downfall | 80.64 | 83.53 | 81.54 | 78.55 | 2004 | Oliver Hirschbiegel |
413 | Being There | 80.64 | 87.30 | 79.42 | 78.06 | 1979 | Hal Ashby |
414 | The Killer | 80.63 | 92.60 | 79.27 | 78.66 | 1989 | John Woo |
415 | My Left Foot: The Story of Christy Brown | 80.63 | 93.23 | 78.13 | 79.15 | 1989 | Jim Sheridan |
416 | Jean de Florette | 80.60 | 88.40 | 80.18 | 79.69 | 1986 | Claude Berri |
417 | The Big Lebowski | 80.57 | 74.80 | 82.28 | 78.57 | 1998 | Coen Brothers |
418 | The King's Speech | 80.57 | 90.86 | 78.50 | 78.59 | 2010 | Tom Hooper |
419 | Whisper of the Heart | 80.55 | 79.98 | 80.80 | 80.31 | 1995 | Yoshifumi Kondō |
420 | E.T. the Extra-Terrestrial | 80.54 | 93.08 | 77.22 | 77.82 | 1982 | Steven Spielberg |
421 | Infernal Affairs | 80.54 | 79.83 | 79.92 | 80.22 | 2002 | Andrew Lau, Alan Mak |
422 | The Prestige | 80.54 | 72.22 | 82.71 | 81.38 | 2006 | Christopher Nolan |
423 | Our Hospitality | 80.54 | 92.85 | 77.72 | 79.58 | 1923 | Buster Keaton, John G. Blystone |
424 | Zootopia | 80.53 | 85.22 | 78.84 | 80.18 | 2016 | Byron Howard, Rich Moore |
425 | Toy Story 2 | 80.49 | 92.59 | 78.51 | 77.05 | 1999 | John Lasseter, Ash Brannon, Lee Unkrich |
426 | Klaus | 80.48 | 75.00 | 81.07 | 81.41 | 2019 | Sergio Pablos |
427 | The Big Sleep | 80.45 | 92.10 | 79.74 | 77.58 | 1946 | Howard Hawks |
428 | Ford v Ferrari | 80.45 | 83.94 | 79.37 | 80.01 | 2019 | James Mangold |
429 | Dead Poets Society | 80.44 | 78.70 | 79.43 | 80.75 | 1989 | Peter Weir |
430 | The Terminator | 80.43 | 89.08 | 78.26 | 78.13 | 1984 | James Cameron |
431 | Naked | 80.43 | 84.48 | 80.39 | 77.34 | 1993 | Mike Leigh |
432 | Dangal | 80.41 | 83.00 | 79.68 | 80.56 | 2016 | Nitesh Tiwari |
433 | Kwaidan | 80.40 | 81.80 | 79.75 | 79.42 | 1964 | Masaki Kobayashi |
434 | The Man Who Would Be King | 80.40 | 90.55 | 78.24 | 77.79 | 1975 | John Huston |
435 | Wild Tales | 80.38 | 82.57 | 80.48 | 79.22 | 2014 | Damián Szifron |
436 | Groundhog Day | 80.38 | 80.08 | 79.31 | 79.35 | 1993 | Harold Ramis |
437 | Catch Me If You Can | 80.38 | 83.44 | 78.74 | 80.57 | 2002 | Steven Spielberg |
438 | I Vitelloni | 80.36 | 90.28 | 77.64 | 78.06 | 1953 | Federico Fellini |
439 | The Big Heat | 80.35 | 92.90 | 79.27 | 77.87 | 1953 | Fritz Lang |
440 | The Double Life of Véronique | 80.35 | 82.63 | 80.19 | 77.87 | 1991 | Krzysztof Kieślowski |
441 | Who's Afraid of Virginia Woolf? | 80.35 | 82.58 | 80.19 | 78.43 | 1966 | Mike Nichols |
442 | Requiem for a Dream | 80.33 | 71.39 | 81.39 | 80.93 | 2000 | Darren Aronofsky |
443 | Rope | 80.33 | 79.20 | 80.31 | 79.30 | 1948 | Alfred Hitchcock |
444 | Love and Death | 80.33 | 89.83 | 77.55 | 78.50 | 1975 | Woody Allen |
445 | The Remains of the Day | 80.29 | 86.88 | 78.75 | 78.80 | 1993 | James Ivory |
446 | Jules and Jim | 80.28 | 93.70 | 78.30 | 77.94 | 1962 | François Truffaut |
447 | The Gospel According to Matthew | 80.28 | 88.30 | 76.50 | 78.52 | 1964 | Pier Paolo Pasolini |
448 | How to Train Your Dragon | 80.27 | 81.97 | 79.45 | 80.24 | 2010 | Chris Sanders, Dean DeBlois |
449 | Harry Potter and the Deathly Hallows: Part 2 | 80.27 | 88.50 | 78.81 | 78.53 | 2011 | David Yates |
450 | Cat on a Hot Tin Roof | 80.26 | 87.05 | 79.46 | 79.79 | 1958 | Richard Brooks |
451 | The French Connection | 80.26 | 93.35 | 78.04 | 76.89 | 1971 | William Friedkin |
452 | Opening Night | 80.25 | 78.05 | 80.50 | 79.25 | 1977 | John Cassavetes |
453 | Hotel Rwanda | 80.24 | 84.54 | 79.34 | 79.40 | 2004 | Terry George |
454 | 4 Months, 3 Weeks and 2 Days | 80.22 | 92.51 | 77.76 | 76.22 | 2007 | Cristian Mungiu |
455 | Tampopo | 80.22 | 92.40 | 81.20 | 77.01 | 1985 | Juzo Itami |
456 | Scarface | 80.22 | 93.50 | 76.43 | 79.55 | 1932 | Howard Hawks, Howard Hughes |
457 | The Face of Another | 80.21 | 87.50 | 79.61 | 79.34 | 1966 | Hiroshi Teshigahara |
458 | The Roaring Twenties | 80.21 | 86.20 | 77.79 | 80.68 | 1939 | Raoul Walsh |
459 | Pickpocket | 80.20 | 93.80 | 76.41 | 76.47 | 1959 | Robert Bresson |
460 | Kiki's Delivery Service | 80.20 | 85.45 | 79.87 | 78.84 | 1989 | Hayao Miyazaki |
461 | A Prophet | 80.19 | 89.61 | 79.53 | 76.14 | 2009 | Jacques Audiard |
462 | Zelig | 80.19 | 90.00 | 76.50 | 80.29 | 1983 | Woody Allen |
463 | Trouble in Paradise | 80.18 | 88.20 | 79.35 | 77.62 | 1932 | Ernst Lubitsch |
464 | Gran Torino | 80.17 | 76.27 | 78.57 | 82.36 | 2008 | Clint Eastwood |
465 | Last Year at Marienbad | 80.16 | 88.25 | 78.29 | 77.37 | 1961 | Alain Resnais |
466 | All the President's Men | 80.15 | 85.95 | 80.48 | 76.46 | 1976 | Alan J. Pakula |
467 | Breaking the Waves | 80.15 | 79.85 | 78.46 | 79.55 | 1996 | Lars von Trier |
468 | Indiana Jones and the Last Crusade | 80.14 | 74.28 | 81.44 | 80.57 | 1989 | Steven Spielberg |
469 | Divorce Italian Style | 80.12 | 91.00 | 79.28 | 78.26 | 1961 | Pietro Germi |
470 | Edward Scissorhands | 80.12 | 78.65 | 78.09 | 80.73 | 1990 | Tim Burton |
471 | The Thing | 80.12 | 67.98 | 82.60 | 79.34 | 1982 | John Carpenter |
472 | Perfect Blue | 80.11 | 74.05 | 80.91 | 80.09 | 1997 | Satoshi Kon |
473 | Down by Law | 80.10 | 79.03 | 78.98 | 79.61 | 1986 | Jim Jarmusch |
474 | Bringing Up Baby | 80.10 | 90.75 | 78.25 | 76.45 | 1938 | Howard Hawks |
475 | The Phantom of Liberty | 80.09 | 85.10 | 78.89 | 78.66 | 1974 | Luis Buñuel |
476 | Bonnie and Clyde | 80.07 | 85.38 | 78.16 | 78.23 | 1967 | Arthur Penn |
477 | The Incredibles | 80.07 | 89.69 | 79.77 | 75.78 | 2004 | Brad Bird |
478 | Rocky | 80.04 | 79.73 | 79.17 | 79.29 | 1976 | John G. Avildsen |
479 | His Girl Friday | 80.03 | 94.15 | 79.24 | 76.72 | 1940 | Howard Hawks |
480 | Mommy | 80.03 | 80.79 | 80.39 | 79.13 | 2014 | Xavier Dolan |
481 | Mon Oncle | 80.03 | 88.00 | 78.03 | 78.76 | 1958 | Jacques Tati |
482 | My Fair Lady | 79.99 | 91.85 | 77.53 | 78.00 | 1964 | George Cukor |
483 | Charade | 79.98 | 85.55 | 79.37 | 78.72 | 1963 | Stanley Donen |
484 | Stalag 17 | 79.95 | 87.13 | 79.62 | 77.79 | 1953 | Billy Wilder |
485 | Boyhood | 79.95 | 97.08 | 76.08 | 75.95 | 2014 | Richard Linklater |
486 | The Secret in Their Eyes | 79.95 | 82.49 | 81.27 | 77.67 | 2009 | Juan José Campanella |
487 | Ninotchka | 79.95 | 90.15 | 77.99 | 78.50 | 1939 | Ernst Lubitsch |
488 | Pierrot le Fou | 79.94 | 81.75 | 77.84 | 76.65 | 1965 | Jean-Luc Godard |
489 | The Enigma of Kaspar Hauser | 79.94 | 89.10 | 78.30 | 78.27 | 1974 | Werner Herzog |
490 | Stroszek | 79.94 | 88.40 | 79.50 | 77.77 | 1977 | Werner Herzog |
491 | A Hard Day's Night | 79.93 | 93.73 | 76.82 | 77.08 | 1964 | Richard Lester |
492 | Onibaba | 79.90 | 74.75 | 79.42 | 79.96 | 1964 | Kaneto Shindo |
493 | Repulsion | 79.85 | 92.68 | 77.29 | 76.57 | 1965 | Roman Polanski |
494 | Like Stars on Earth | 79.85 | 80.50 | 79.54 | 79.86 | 2007 | Aamir Khan, Amole Gupte |
495 | Duck Soup | 79.84 | 92.33 | 79.01 | 74.92 | 1933 | Leo McCarey |
496 | Carlito's Way | 79.83 | 70.28 | 79.16 | 82.01 | 1993 | Brian De Palma |
497 | Nashville | 79.82 | 93.23 | 76.89 | 74.92 | 1975 | Robert Altman |
498 | The Triplets of Belleville | 79.82 | 88.97 | 76.57 | 78.66 | 2003 | Sylvain Chomet |
499 | Dr. Mabuse the Gambler | 79.81 | 85.10 | 76.88 | 79.98 | 1922 | Fritz Lang |
500 | Gone Girl | 79.79 | 83.03 | 79.32 | 78.87 | 2014 | David Fincher |
Mohegan Gaming Says South Korea Casino Resort in Incheon Scheduled for 2022 Opening. Posted on: April 13, 2020, 02:01h. Last updated on: April 13, 2020, 02:35h. North Korea’s Pyongyang capital is home to a foreigner-only casino at the Yanggakdo International Hotel. The facility is operated by SJM Holdings, one of the six licensed casino operators in... North Korea is a country in East Asia with legal gambling. There are 0 cities with gambling facilities in North Korea which have 0 legal gambling facilities available in total. The types of gambling available in North Korea are: . The largest gambling city in North Korea is with 0 gambling facilities. Need finding North Korea Online Casino? List of 10+ North Korea casinos Best offers for players from North Korea on Casinority.com 100% Approved casino sites Play Now and get FREE bonus (In contrast, there were barely 100 North Korean visitors to Hong Kong in 2008 and again in 2009 and only 69 last year, the city's Tourism Board says; two North Korean students are studying at the Korea Casinos. If you are wondering about Korea casinos, then we can provide you with a great list of places to visit in South Korea, also known as the Republic of Korea.While it is not advised to visit North Korea, a dictatorship where civil rights are often ignored and you can be arrested for many acts you would not consider to be illegal or even controversial over here, South Korea is a Sorry, there's no casinos for your search North Korea is also known as the Democratic People's Republic of Korea. Its capital is Pyongyang and its population is estimated at almost 25 million. There is no casino on the North Korean territory. With its huge spaces and contemporary interior, Seven Luck Casino is known to be one of the leading casinos in Korea and worldwide. Operating out of the Millenium Seoul Hotel in central Seoul, this casino is equipped with modern and state-of-the-art gaming systems. North Korean casinos, cruise ships, horsetracks and dogtracks - the complete gambling landscape of North Korea. Includes North Korea casino details, gambling news and tweets in North Korea, area maps, North Korean entertainment, coupons offers... There are thousands of jurisdictions worldwide with access to the internet. It is your responsibility to determine whether it is legal for you to place a wager in the jurisdiction in which you are located based on local regulatory and age restrictions. World Casino Directory is an independent information provider and does not process any money.
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